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i’ve been telling my friends for a few years now that this is one of the best-made lyrics ever. it talks about love of country (and perhaps of another person) but not just any ordinary love…

it is the kind of love that sees beauty in every way. the kind that endures. the kind that makes one free. the kind of love that conquers all but is ultimately conquered back.

lupang hinirang

bayang magiliw
perlas ng silanganan,
alab ng puso
sa dibdib mo’y buhay.

lupang hinirang,
duyan ka ng magiting,
sa manlulupig,
‘di ka pasisiil.

sa dagat at bundok,
sa simoy at sa langit mong bughaw,
may dilag ang tula at awit
sa paglayang minamahal.

ang kislap ng watawat mo’y
tagumpay na nagniningning,
ang bituin at araw niya
kailan pa ma’y ‘di magdidilim.

lupa ng araw, ng luwalhati’t pagsinta,
buhay ay langit sa piling mo;
aming ligaya, na ‘pag may mang-aapi
ang mamatay nang dahil sa ‘yo.

FYI¹. the philippine national anthem is from the poem “filipinas” written in spanish by josé palma in august of 1899. the music was done by julian felipe. the official translation which is in use today and made familiar to all of us was by felipe padilla de leon.

FYI². usage and legal regulation… yes, there is a ‘legal’ way of singing our national anthem. (this bit is taken mostly from wikipedia)

article XVI, section 2 of the present philippine constitution specifies that “the congress may, by law, adopt a new name for the country, a national anthem, or a national seal, which shall be truly reflective and symbolic of the ideals, history, and traditions of the people. such law shall take effect only upon its ratification by the people in a national referendum.”

at present, the 1998 republic act 8491 (the flag and heraldic code of the philippines) regulates the usage of the philippine national anthem. it also contains the complete lyrics of lupang hinirang.

RA 8491 specifies that lupang hinirang “shall be in accordance with the musical arrangement and composition of julian felipe.” however, when literally followed, this means that the national anthem should only be performed by a pianist or by a brass band, as these were the only versions that were produced by julian felipe. moreover, because the original version was composed in duple time (i.e. in a time signature of 2/4) as compared to the present quadruple time (4/4), it is uncertain if this will either slow down or even double the music’s speed, making it difficult for singers to keep up with the music. regardless of this, the national anthem is still sung with the lyrics. RA 8491 also states that lupang hinirang “shall always be sung in the national language” regardless if performed inside or outside the Philippines, and specifies that the singing must be done with fervor.

the national anthem is usually played during public gatherings in the philippines or in foreign countries where the filipino audience is sizable. RA 8491 also provides that it be played at other occasions as may be allowed by the national historical institute. RA 8491 prohibits its playing or singing for mere recreation, amusement, or entertainment except during the following occasions:

  1. international competitions where the philippines is the host or has a representative;
  2. local competitions;
  3. during the “signing off” and “signing on” of radio broadcasting and television stations; and
  4. before the initial and last screening of films and before the opening of theater performances.

RA 8491 specifies fine or imprisonment penalties for any person or juridical entity which violates its provisions. public or government official or employee who fail to observe the regulations of RA 8491 may face administrative sanctions, besides the penalties imposed by the same law. this warning also applies to persons connected with government-held corporations, public schools, and state colleges and universities.

so the next time you sing it, be careful. or better yet, sing with fervor. sing from the heart. you can never go wrong.

ok, you have to bear with me on this one because you will need a good ten minutes to finish reading this blog… perhaps seven and a half if you’re a fast reader. 😉

about a year ago, i came across the prada website and at that time they were promoting the launch of the fashion house’s first perfume. the creative geniuses (a.k.a. ridley scott and daughter jordan) behind the famed (and über-pricey) brand made a short film which, by the way, i found rather uninteresting except for the recitation from a poem that was read in as a form of narrative commentary.

yes, that poem is the thunder, perfect mind.

the thunder, perfect mind was discovered among the gnostic manuscripts at nag hammadi in 1945. the title is, more accurately, the thunder – perfect intellect. it takes the form of an extended, riddling monologue, in which an immanent saviour speaks a series of paradoxical statements concerning the divine feminine nature. while these paradoxical utterances echo greek identity riddles, the author, date, and place of composition are unknown, but a cultural milieu like that of second- or third-century alexandria is plausible. more information on the thunder, perfect mind can be found at wikipedia.

now one last word about this poem… as i said, it was found among the gnostic gospels in nag hammadi and naturally, it points to the divine feminine. having read dan brown’s the da vinci code and having seen national geographic’s the gospel of judas, it is then of no surprise that the thunder, perfect mind was of immense interest to me.


the thunder, perfect mind
translated by george w. macrae

I was sent forth from the power, and I have come to those who reflect upon me, and I have been found among those who seek after me.
Look upon me, you who reflect upon me, and you hearers, hear me. You who are waiting for me, take me to yourselves.
And do not banish me from your sight.
And do not make your voice hate me, nor your hearing. Do not be ignorant of me anywhere or any time. Be on your guard! Do not be ignorant of me.

For I am the first and the last.
I am the honored one and the scorned one.
I am the whore and the holy one.
I am the wife and the virgin.
I am and the daughter.
I am the members of my mother.
I am the barren one and many are her sons.
I am she whose wedding is great, and I have not taken a husband.
I am the midwife and she who does not bear.
I am the solace of my labor pains.
I am the bride and the bridegroom, and it is my husband who begot me.
I am the mother of my father and the sister of my husband and he is my offspring.
I am the slave of him who prepared me.
I am the ruler of my offspring. But he is the one who begot me before the time on a birthday. And he is my offspring in (due) time, and my power is from him.
I am the staff of his power in his youth, and he is the rod of my old age. And whatever he wills happens to me.
I am the silence that is incomprehensible and the idea whose remembrance is frequent.
I am the voice whose sound is manifold and the word whose appearance is multiple.
I am the utterance of my name.

Why, you who hate me, do you love me, and hate those who love me?
You who deny me, confess me, and you who confess me, deny me.
You who tell the truth about me, lie about me, and you who have lied about me, tell the truth about me.
You who know me, be ignorant of me, and those who have not known me, let them know me.

For I am knowledge and ignorance.
I am shame and boldness.
I am shameless; I am ashamed.
I am strength and I am fear.
I am war and peace.
Give heed to me.
I am the one who is disgraced and the great one.

Give heed to my poverty and my wealth.
Do not be arrogant to me when I am cast out upon the earth, and you will find me in those that are to come.
And do not look upon me on the dung-heap nor go and leave me cast out, and you will find me in the kingdoms.
And do not look upon me when I am cast out among those who are disgraced and in the least places, nor laugh at me.
And do not cast me out among those who are slain in violence.
But I, I am compassionate and I am cruel.

Be on your guard!
Do not hate my obedience and do not love my self-control.
In my weakness, do not forsake me, and do not be afraid of my power.
For why do you despise my fear and curse my pride?
But I am she who exists in all fears and strength in trembling.
I am she who is weak, and I am well in a pleasant place.
I am senseless and I am wise.

Why have you hated me in your counsels?
For I shall be silent among those who are silent, and I shall appear and speak,
Why then have you hated me, you Greeks? Because I am a barbarian among the barbarians?
For I am the wisdom of the Greeks and the knowledge of the barbarians.
I am the judgement of the Greeks and of the barbarians.
I am the one whose image is great in Egypt and the one who has no image among the barbarians.
I am the one who has been hated everywhere and who has been loved everywhere.
I am the one whom they call Life, and you have called Death.
I am the one whom they call Law, and you have called Lawlessness.
I am the one whom you have pursued, and I am the one whom you have seized.
I am the one whom you have scattered, and you have gathered me together.
I am the one before whom you have been ashamed, and you have been shameless to me.
I am she who does not keep festival, and I am she whose festivals are many.
I, I am godless, and I am the one whose God is great.
I am the one whom you have reflected upon, and you have scorned me.
I am unlearned, and they learn from me.
I am the one that you have despised, and you reflect upon me.
I am the one whom you have hidden from, and you appear to me.
But whenever you hide yourselves, I myself will appear.
For whenever you appear, I myself will hide from you.
Those who have […] to it […] senselessly […].

Take me [… understanding] from grief. and take me to yourselves from understanding and grief.
And take me to yourselves from places that are ugly and in ruin, and rob from those which are good even though in ugliness.
Out of shame, take me to yourselves shamelessly; and out of shamelessness and shame, upbraid my members in yourselves.
And come forward to me, you who know me and you who know my members, and establish the great ones among the small first creatures.
Come forward to childhood, and do not despise it because it is small and it is little.
And do not turn away greatnesses in some parts from the smallnesses, for the smallnesses are known from the greatnesses.

Why do you curse me and honor me?
You have wounded and you have had mercy.
Do not separate me from the first ones whom you have known.
And do not cast anyone out nor turn anyone away […] turn you away and [… know] him not. […]. What is mine […].
I know the first ones and those after them know me.

But I am the mind of […] and the rest of […].
I am the knowledge of my inquiry, and the finding of those who seek after me, and the command of those who ask of me, and the power of the powers in my knowledge of the angels, who have been sent at my word, and of gods in their seasons by my counsel, and of spirits of every man who exists with me, and of women who dwell within me.
I am the one who is honored, and who is praised, and who is despised scornfully.
I am peace, and war has come because of me.
And I am an alien and a citizen.
I am the substance and the one who has no substance.

Those who are without association with me are ignorant of me, and those who are in my substance are the ones who know me.
Those who are close to me have been ignorant of me, and those who are far away from me are the ones who have known me.
On the day when I am close to you, you are far away from me, and on the day when I am far away from you, I am close to you.

[I am …] within.
[I am …] of the natures.
I am […] of the creation of the spirits.
[…] request of the souls.
I am control and the uncontrollable.
I am the union and the dissolution.
I am the abiding and I am the dissolution.
I am the one below, and they come up to me.
I am the judgment and the acquittal.
I, I am sinless, and the root of sin derives from me.
I am lust in (outward) appearance, and interior self-control exists within me.
I am the hearing which is attainable to everyone and the speech which cannot be grasped.
I am a mute who does not speak, and great is my multitude of words.

Hear me in gentleness, and learn of me in roughness.
I am she who cries out, and I am cast forth upon the face of the earth.
I prepare the bread and my mind within.
I am the knowledge of my name.
I am the one who cries out, and I listen.
I appear and […] walk in […] seal of my […].
I am […] the defense […].
I am the one who is called Truth and iniquity […].

You honor me […] and you whisper against me.
You who are vanquished, judge them (who vanquish you) before they give judgment against you, because the judge and partiality exist in you.
If you are condemned by this one, who will acquit you? Or, if you are acquitted by him, who will be able to detain you?
For what is inside of you is what is outside of you, and the one who fashions you on the outside is the one who shaped the inside of you. And what you see outside of you, you see inside of you; it is visible and it is your garment.

Hear me, you hearers and learn of my words, you who know me.
I am the hearing that is attainable to everything; I am the speech that cannot be grasped.
I am the name of the sound and the sound of the name.
I am the sign of the letter and the designation of the division.
And I […].
(3 lines missing)
[…] light […].
[…] hearers […] to you
[…] the great power.
And […] will not move the name.
[…] to the one who created me. And I will speak his name.

Look then at his words and all the writings which have been completed.
Give heed then, you hearers and you also, the angels and those who have been sent, and you spirits who have arisen from the dead.
For I am the one who alone exists, and I have no one who will judge me.

For many are the pleasant forms which exist in numerous sins, and incontinencies, and disgraceful passions, and fleeting pleasures, which (men) embrace until they become sober and go up to their resting place.
And they will find me there, and they will live, and they will not die again.

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August 2020

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